Dreams’ Time Capsule in Sharjah, UAE

The Dreams’ Time Capsule project was invited by the Maraya Art Centre to be installed at the Al Qasba area and the Al Majaz park in Sharjah in the UAE. The four-day-long event was curated by Alexandra MacGilp. As in the other locations, visitors stepped into the installation to share one of their own dreams. In total, from 22nd to 24th March and on 27th March, about 150 participants have participated in the project. In so doing, they contributed to expanding the audio archive (to date about 1470 dreams’ descriptions).
We want to thank all the collaborators: Alicia, Rode, Ruby, Vivien, and Ali. Our best greetings to the director Giuseppe Moscatello and the Maraya Art Centre staff who made it possible. Eva Frapiccini’s residency program in Sharjah was supported by FARE Milano in partnership with the Maraya Art Centre.

Dreams’ Time Capsule at the Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, Italy

The Dreams’ Time Capsule project was hosted at the Castello di Rivoli Museo d’Arte Contemporanea in Rivoli in Italy, from June to September 2014.
Eva Frapiccini was invited to participate in the group exhibition Ritratto dell’ Artista da Giovane | Portrait of the artist as a Young (Wo)man, curated by Marcella Beccaria. The exhibition explored the remarkable development of contemporary art in Italy over the last ten years, and included 25 artists from the latest generations to be promoted by the museum thanks to the generous contribution of the Castello’s Friends. In the same exhibition, there was a selection of the work in progress Dream Diary, in which Frapiccini used some of the dreams from the Dreams Time Capsule project’s audio archive.
LINKS:
Ritratto dell’artista da giovane / Portrait of the Artist as a Young (Wo)Man

We Traders / Turin / Italy / Europe

Turin, May 15th, 2014
The itinerant exhibition We-Traders. Swapping Crisis for City connects initiatives by artists, designers, activists and many other citizens from five distinct European contexts. In Lisbon, Madrid, Toulouse, Turin and Berlin. The project was supported by the Goethe Institute. 
 Dreams’ Time Capsule by visual artist Eva Frapiccini was invited and hosted at the Toolbox – FabLab in Turin.  The collection point was curated by Angelika Fitz and Rose Epple and co-curated by the curatorial collective a.titolo.
Artists invited: Stefano Boccalini, Andrea Caretto & Raffaella Spagna, Eva Frapiccini, Michelangelo Pistoletto.

 

More info: WE TRADERS 

Stockholm’s Cahier

During the collecting point in Stockholm, we produced a small cahier to recount through images and words the collaboration wth Arkitekturmuseet, and the meetings with the city and our wonderful dreams’ donors.

You can download the Stockholm’s cahier (with texts by Magnus Ericson and Elisa Tosoni; images by Eva Frapiccini and Emma Friedriksson):

DOWNLOAD PDF

Dreams’ Time Capsule in Stockholm and Fittja, Sweden

Dreams’ Time Capsule project arrived in Stockholm, hosted by Arkitekturmuseet (20th and 21st September 2012), and after that, it was part of Fittja Open under the invitation of Botkyrka Konsthall (22nd and 23rd September 2012).

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We would like to say thanks to all the participants at the Dreams’ Time Capsule in Stockholm and Fittja. With their support, we arrived to collect more than 300 dream testimonies.

Special thanks to Anna, Alida, Cosimo, Magnus Ericson, and, Marjetca Pjotrc and her students for their participation in the talk on September 23rd, 2012.

The presentation in Stockholm, 20th – 23rd September 2012, and Fittja was curated by Elisa Tosoni.

A collaboration between Arkitekturmuseet and Botkyrka Konsthall, with support from Italienska Kulturinstitutet C.M. Lerici (Stockholm) and the project DE.MO./MOVIN’UP 2012 (MIC Ministry of Culture and the Gai – Association for the Circuit of Young Italian Artists).

LINKS: 

Arkitekturmuseet

Botkyrka Konsthall

 

This event was supported by:

DTC project in Cairo, Egypt

From 1st till 3rd July 2012, the Dreams’ Time Capsule project was hosted by The Townhouse Gallery in Cairo, curated by Alexandra Stock and Ania Szremski. Eva Frapiccini was artist-in-residence, under the support of the residency exchange program Resò (promoted by Crt Foundation and Piedmont Region), 2012.

Each day between 10 am and 8 pm, people were invited to enter the inflatable structure, to record their oneiric testimony: either a whole night time dream or a dream they do not understand.

In so doing, about 90 testimonies (in Egyptian, English and others languages) were collected and included in the audio archive: voices that will be preserved and given back to the donors in 2021, ten years from the beginning of the project.

Thanks to Mina Nosky, Dina Sfakaki, Alexandra Stock, Ania Szremski and William Welsh and all the staff of Townhouse Gallery for their invaluable support throughout the Cairo leg of the project!

We would like to thank also the Resò program team and all the institutions involved in the program: the Albertina Academy of Fine Art in Turin; Castello di Rivoli Museum of Contemporary Art; CESAC Centro Sperimentale per le Arti Contemporanee; Eco e Narciso; the Gai – Association for the Circuit of Young Italian Artists; Cittadellarte – Fondazione Pistoletto; Fondazione Sandretto Re Rebaudengo; PAV – Parco Arte Vivente; Spinola Banna Art Foundation

LINKS: The Townhouse Gallery

With the support of:

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Dreams’ Time Capsule in Turin, Italy

From 3rd to 6th November 2011, during the Artissima Art Fair in Turin, an experimental version of the Dreams’ Time Capsule was exhibited at the Piazza Maria Teresa. The installation was designed in collaboration with the architecture studio Plastique Fantastique in Berlin as a test-study structure to be used only once.

The public installation was a satellite of the solo show Museum Caneira | The physics of the possible by the artist Eva Frapiccini at the Peola Simondi Gallery (former Alberto Peola Gallery). During the three-day-long presentation, almost one hundred dream testimonies from a cross-section of the population were collected. Many generations, and nationalities were represented, and the initiative attracted a good public response, including feedback from visitors who would not normally engage with contemporary art.

We want to say thanks to all the volunteers and collaborators who helped us to join this goal.

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LINK:

Peola Simondi Gallery